Proscriptio – Studia Numinis Obscuri, Dirk Habenschaden

01/

There is a moment everyone knows who has held an opinion that wasn't en vogue. No argument. No confrontation. Only silence — and afterwards, something was different.

Cancel Culture, exclusion, the quiet disappearance from discourse: these are not phenomena of public life alone. They happen in the small spaces, in the everyday, in the rooms where one should belong. The question that concerns me is not the political one. It is the human one: What does this do to someone?

Verdi answered it long before the word existed. The Confutatis maledictis from his Requiem names the moment without softening: when the damned are set aside — not because they are guilty, but because their way of thinking is inconvenient.

From a different opinion comes a flaw.
From a flaw comes a character.

Proscriptio: Motif 1, figurative depiction, first iteration of the figure, Dirk Habenschaden
Proscriptio: Motif 2, figurative depiction, first iteration of the figure, Dirk Habenschaden
Proscriptio: Motif 3, portrait depiction, first iteration of the face, Dirk Habenschaden
Proscriptio: Motif 4, portrait depiction, first iteration of the face, Dirk Habenschaden
Proscriptio: Motif 5, portrait depiction, first iteration of the face, Dirk Habenschaden
Proscriptio: Motif 6, iteration of body posture, Dirk Habenschaden
first studies

The Dark Angel

He is dangerous. He is toxic. His very stance threatens the prevailing discourse and the cohesion of the group. He no longer belongs. He is no longer heard. The community believes this — because it must. Because without it, the exclusion would have no justification.

And so someone who thinks differently becomes someone to be feared. He exists in a space where his name is already taken — before he opens his mouth.

Proscriptio: Motif 7, figurative depiction, sketch of the Black Angel, Dirk Habenschaden
Proscriptio: Motif 8, figurative depiction, sketch of the Black Angel, Dirk Habenschaden
Proscriptio: Motif 9, figurative depiction, sketch of the Black Angel, Dirk Habenschaden
first studies

Verdi's Requiem
I. Requiem aeternam

Requiem aeternam dona eis, Domine,
et lux perpetua luceat eis.
Te decet hymnus, Deus, in Sion,
et tibi reddetur votum in Jerusalem.
Exaudi orationem meam,
ad te omnis caro veniet.
Requiem aeternam dona eis, Domine,
et lux perpetua luceat eis.
Kyrie eleison.
Christe eleison.
Kyrie eleison.

Proscriptio: Motif 10, the gothic environment, a gothic cathedral at night, Dirk Habenschaden
Proscriptio: Motif 11, from Verdi's Requiem: Requiem aeternam dona eis, Domine, Dirk Habenschaden
Proscriptio: Motif 12, interior view of the gothic cathedral, Dirk Habenschaden
Proscriptio: Motif 13, from Verdi's Requiem: et lux perpetua luceat eis, Dirk Habenschaden
Proscriptio: Motif 14, various poses of the Black Angel, Dirk Habenschaden
Proscriptio: Motif 15, the Black Angel, agitated and wrathful, Dirk Habenschaden

The story moves on …